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Dam Sandler is loud, obnoxious that his films consistently ask to be considered one of the most consistent players alive, take the worst movies in a given year compatible. Last Sandler vehicles, such as Jack and Jill, The Good Son, and Grown Ups Grown Ups 2, the awfulness of titles, offices, and posters that send action to come as a cooling trademarks of awfulness. Even before it hits the theaters, she looms maliciously culture, depressing low, low standards of public acts as a reminder. It's almost like Sandler and his production company Happy Madison is baiting viewers to oblige them to a sadistic, after decades of thought experiment to see how many repellent films he can do before they turn to him. But the upside Sandler movies of the last five years is that they rise the bar so low, medium vehicles to the right of them. So Blend Sandler third collaboration with Drew Barrymore after the Wedding Singer and 50 First Dates, Happy Madison is from the last boss of the work, not unheard of awful from start to finish. It's not going to get out of the rough start, though. Taking advantage of the sad-sack side of his personality, Sandler plays Jim Friedman, everyday guy who puts all his time and energy to raising her daughter, died after a holy mother. Jim is a good man, full of people, but he does a bang-up impersonation ignorant idiot, as he goes on a blind date at Hooters Lauren Reynolds (Barrymore), a neurotic single mother, a couple of tough guys without a lot of help with their smarmy ass father Mark (to increase Joel McHale, that is, the market Craig Kilborn types). Jim and Lauren have all the common white, vans, single parents

 the basic decency, but they can not stop insulting each other, make them in a way nastier and worse than they really are. Despite the catastrophic introduction of keeping collide. And due to circumstances too complicated to honor with an explanation, they end up together holiday in South Africa Sun City, a hotbed of controversy during the height of apartheid. (Show the protest even inspired a song.) Jim cruelty Lauren is even more puzzling considering what you want, admires his father, he is a sensitive young daughters, one of whom his dead mother, who was referred to as often as he can, almost like the main character must be regarded as the ubiquitous invisible friend. Lauren played on the combination of childlike daftness and inner strength Barrymore, is just as adorable and charming, except when he is stony with Jim during the movie the first hour. How dead-mother/invisible-friend company suggests, is an unabashed blended its sticky sentimentality. It is a heart-tugger so cool that it even creates a romantic, borderline heroic reasons for a man on the first day of the woman to take the late Mrs. Hooters Jim was a longtime employee there. But as of 2004, 50 First Dates

Sandler and Barrymore cooperation, the syrup goes down easy thanks to the inherent likability of its leads. Also like 50 First Dates, Blended works so much better than a romance than a comedy, that it almost seems a shame the film laugh yourself in all angles. Sandler brings true sadness, the position of the basics of drama. Play a widow instead of his usual stunted man-child brings his sadness and vulnerability, and his scenes of her daughter is an endearing affection. For a rom-com, a perverse Blended is the absence of conflict. It represents two people who should be clearly perfect for each other, if they could only get out of their own way, then send it to the romantic, ideal for a holiday imaginable through is specially designed for blended families, not less. In desperate, Conflicts, where nothing is necessary to create the film Lauren's smarmy ex appears out of nowhere one of the last artificial barrier fortunately offer a series of seemingly Pad running time of the film, which is already familiar for far too long with that designed. Blended is never really funny; especially it comes to generating laughter is mad power Terry Crews' lead entertainer in Sun City, muscle goofball whose shtick is part Michael Jackson, part of Ladysmith Black Mambazo, and all of Terry Crews scene-stealer. But thanks to Sandler, Barrymore, and the natural beauty of South Africa, blended is much more bearable and tastier than it has a right to be, it's fluff that rises to the level of harmless disposability. For a man, a post-Funny People vehicles immediately inform contender for the worst of the worst, it is a performance means sweeping the Academy Awards.
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